

But the momentum didn’t come without difficult moments in May, he tweeted about struggling with substance abuse and mental health, and in October, Omar and his band were involved in a serious car crash that prematurely ended their tour (everyone is now thankfully recovered). This was a break-out year for the Chicano artist, which saw him headline the Together Tour, play Coachella and Governor’s Ball, and release the 6-track EP Chiquito. The song’s lyrics are simple and direct, but they resonate profoundly – a songwriting gift that has helped cement the 20 year-old as a heartthrob who steadily packed venues with love-struck Latina teens in 2018. Over a dreamy, prog-rock haze, Cuco sings of yearning for someone he can’t find, feeling blue all the while.

However, as the lyrics of “Sunnyside” attest to, it can get lonely. Omar Banos – better known as Cuco – often builds his music alone in his bedroom, playing and recording each instrument on his own. “No ser, ni estar en un lugar / Desvanecer, terror multicolor,” she whispers innocently, capturing the unmistakable inner turmoil of displaced people around the world. Despite its danceable nature, sorrow inevitably rears its head by virtue of Angelica Negrón’s ethereal vocals and poignant lyrics. “El Espanto” pushes Balún’s avant-garde ambitions to the edge, kicking things off with timid synth stabs and rapidly graduating to digital horns, an infectious reggaeton beat and rapturous IDM crescendo. The Brooklyn and San Juan-based ensemble gave us several high points to choose from, with “El Espanto” standing out as the purest utterance of the band’s penchant for experimentation and bold fusions, playfully dubbed ‘dreambow’ – a collision of dreampop and dembow. This year it was Balún’s time to shine, refracting the countless sounds, emotions and experiences of the Boricua diaspora on their spectacular sophomore album Prisma Tropical. We’ve seen profound storytelling emerge from the indie world in bands like Buscabulla and Los Wálters, who throughout their careers have reconciled lives on the US mainland with the emotional beckoning of their Caribbean homeland. In the face of withering economic woes and natural disasters, diasporic melancholy has become an intrinsic component of modern Puerto Rican music.
